4) Obscure POV when useful: 

Say you’re writing a murder scene but you want the killer’s identity to remain a secret. I wanted to pull this off in my new book, since the killer was someone surprising in the story, but I didn’t want readers to know who until way later. The trick is to write the scene from the victim’s perspective. Don’t allow the victim to know or recognize the killer—so you can have a dramatic, intense scene without spoiling the mystery. This is the first chapter of No Time to Die.

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